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) is a length of linen cloth bearing the image of a man who is alleged to be Jesus of Nazareth.

The cloth itself is believed by some to be the burial shroud he was wrapped in when he was buried after crucifixion although three radiocarbon dating tests in 1988 dated a sample of the cloth to the Middle Ages.

Consider when Dom finds out the high possibility his girlfriend he believed to be deceased is now still alive and, despite being incredulously so, she doesn't remember him at all upon seeing him again.

These scenes are revealing because, for once, behind all the glitz and glamour of this franchise, these characters, in addition to the audience, can step back and see the individuals behind the wheel as people (the humans crushed in the scene that takes place on a highway, involving a tank going the wrong way and demolishing every car in its path don't get the same luxury of being humanized, but an installment in this series has yet to be perfect).

See more ยป Fast & Furious 6 picks up on our trusted gang of gearhead criminals following the heist they pulled off in Rio de Janeiro that took place in Fast Five.Having said all that, going into Fast & Furious 6 knowing that this new gritty, crime-drama style the series has been implementing since Fast & Furious, the fourth installment, was still going to be in effect, I was about as hesitant as ever.I emerge from the film with the confidence in saying that Fast & Furious 6 is the best film in the series since 2 Fast 2 Furious, a film that for all its issues, is still a fine piece of action-comedy during a year where that genre thrived (the underrated Hollywood Homicide, for one, also came out that same year).However big your gang is, ICQ has got room for everyone. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.Fast & Furious 6 still finds itself overwrought in terms of further distancing itself from the downhome realism in the first film to the point where its inclusion is about as minuscule as a spec of dust on one's rearview mirror.

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